tHe waLL

It appears and disappears at the same frequency which a heart beats, it simulates an insistent stay that prevents progress or turn as it progresses requires to be included in the trip. They are childhood traumas that we carry and accompany the lives of those who suffered them, rather those who suffer, for it would be too fast to say that nobody has suffered, as if we were asserting the possibility of perfection in human beings.

The scenes that opened the film held had match those as complex to define and impossible to achieve passage as freedom and peace. There's even a very powerful symbolic use appealing to the analysis of the consequences and effects that leave the ideologies that when immersed in the power devour men, women and children who find it in vain to have the fingers, so late becomes a practical calculation of blood are
The Wall presents a curious scene in which a small man, very young, a child with accuracy, walks the train tracks, as previously established following a guide, is heading somewhere, feeling that it is a obligation which has little desire to meet. With a yellow sky with hopeful tones, images come to color the daily war of that heaven. Now the trend is war, conflict, and a relentless adherence directed by the emotions that arise and will fly to the subject in the search for what is theirs.
It is also the little interaction, loneliness, another protagonist of the story, in which time stops, the thought is refined, and self-questioning demands to know from the vain, to reach the ephemeral to the concrete. The character opens the road in search of the company, understands that freedom is a matter fleeting manifestations of which must be seized and never spared not rejected